{"id":4632,"date":"2026-04-30T03:12:45","date_gmt":"2026-04-30T03:12:45","guid":{"rendered":"https:\/\/zeroaesquerda.com.br\/?p=4632"},"modified":"2026-04-30T03:36:09","modified_gmt":"2026-04-30T03:36:09","slug":"dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo","status":"publish","type":"post","link":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/","title":{"rendered":"Dois poemas de Paul \u00c9luard  (1895-1952) \u2014 [Trad. Lucas Bertolo]"},"content":{"rendered":"\n<p><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_4632_1('footnote_plugin_reference_4632_1_1');\" onkeypress=\"footnote_moveToReference_4632_1('footnote_plugin_reference_4632_1_1');\" ><sup id=\"footnote_plugin_tooltip_4632_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_4632_1_1\" class=\"footnote_tooltip\">La R\u00e9volution Surr\u00e9aliste. n.\u00ba 05. Paris : 1925, p. 4. Nouveaux Po\u00e8mes. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 122-123.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_4632_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_4632_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>A imagem do homem, fora do subterr\u00e2neo, resplandece. Plan\u00edcies de chumbo parecem oferecer a garantia de que ela n\u00e3o ser\u00e1 mais revirada, mas apenas para submergi-la nessa grande tristeza que a designa. A for\u00e7a de outrora, sim, a for\u00e7a de outrora bastava a ela mesma. Todo socorro \u00e9 in\u00fatil, ela perecer\u00e1 por extin\u00e7\u00e3o, morte suave e calma.<\/p>\n\n\n\n<p> Ela entra no fundo do mato denso, cuja solid\u00e3o silenciosa lan\u00e7a a alma num mar onde as ondas s\u00e3o lustres e espelhos. A bela estrela de folhas brancas que, num plano mais afastado, parece a rainha das cores, contrasta, com a subst\u00e2ncia dos olhares, encostados nos troncos da incalcul\u00e1vel imper\u00edcia das plantas bem dispostas. Fora do subterr\u00e2neo, a imagem do homem empunha cinco sabres devastadores. Ela j\u00e1 escavou a masmorra onde se abriga o reino negro dos amantes da mendic\u00e2ncia, baixeza e prostitui\u00e7\u00e3o. No maior navio que atravessa o mar, a imagem do homem embarca e conta aos marinheiros regressos de naufr\u00e1gios uma hist\u00f3ria de bandidos: \u201cAos cinco anos, sua m\u00e3e confiou-lhe um tesouro. O que fazer com isso? Sen\u00e3o amain\u00e1-la. Ela destruiu, com seus bra\u00e7os infernais, a caixa v\u00edtrea onde dormem as pobres maravilhas dos homens. As maravilhas a seguiram. O cravo do poeta sacrificou os c\u00e9us por uma cabeleira loura. O camale\u00e3o demorou-se numa clareira para construir min\u00fasculo pal\u00e1cio de morangos e aranhas, as pir\u00e2mides do Egito faziam rir os transeuntes, pois n\u00e3o sabiam que a chuva sacia a sede da terra. Por fim, a borboleta laranja sacudiu suas sementes sobre as p\u00e1lpebras das crian\u00e7as que acreditaram sentir passar o mercador de areia.\u201d<\/p>\n\n\n\n<p>&#8220;A imagem do homem sonha, mas nada mais se agarra aos seus sonhos sen\u00e3o a noite sem igual. Ent\u00e3o, para relembrar os marinheiros da apar\u00eancia da raz\u00e3o, algu\u00e9m com semblante \u00e9brio pronunciou lentamente essa frase: \u201cO bem e o mal devem a sua origem no abuso de alguns erros.\u201d <\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-theme-palette-5-color has-alpha-channel-opacity has-theme-palette-5-background-color has-background is-style-dots\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p>A necessidade absoluta, desejo absoluto, descostura todos esses h\u00e1bitos, o chumbo da vegeta\u00e7\u00e3o adormecido sob a folhagem qual um manto vermelho nos cabelos da ordem e das queimaduras semeando a palidez, a tonalidade cer\u00falea do p\u00f3 de ouro do perscrutador do preto ao fundo da cortina dura e renitente, a deser\u00e7\u00e3o \u00famida, pressionando o vidro ardente, tramas dependentes da eternidade delirante do pobre, a m\u00e1quina se dispersa e reencontra a armadura curva dos guardas no desejo por a\u00e7\u00facar vermelho. <\/p>\n\n\n\n<p>O rio se distende, passa com destreza pelo sol, olha para a noite, acha-a bela e do seu agrado, passa o seu bra\u00e7o sob o dela e redobra a brutalidade, sendo a do\u00e7ura a conjun\u00e7\u00e3o de um olho fechado com um olho aberto ou do desd\u00e9m ou com o entusiasmo, da recusa com a confian\u00e7a e do \u00f3dio com o amor, veja, contudo, a barreira de cristal fechada pelo homem diante do homem, ele seguir\u00e1 preso aos la\u00e7os das suas crinas de rebanhos, multid\u00f5es, prociss\u00f5es, inc\u00eandios, ro\u00e7adas, viagens, reflex\u00f5es, epopeias, correntes, roupas largadas, virgindades arrancadas, batalhas, triunfos passados ou futuros, l\u00edquidos, satisfa\u00e7\u00f5es, rancores, crian\u00e7as abandonadas, lembran\u00e7as, esperan\u00e7as, fam\u00edlias, ra\u00e7as, ex\u00e9rcitos, espelhos, coroinhas, vias sacras, ferrovias, rastros, telefonemas, cad\u00e1veres, furtos, petrifica\u00e7\u00f5es, perfumes, promessas, piedades, vingan\u00e7as, livramentos \u2014 digo eu \u2014 livramentos como ao som dos clarins, ordenando ao c\u00e9rebro que n\u00e3o se deixe mais distrair pelas m\u00e1scaras sucessivas e femininas do acaso ocasional, pelas pupilas das tapagens, a cavalgada sangrenta e mais doce no cora\u00e7\u00e3o do homem advertido da paz da coroa dos sonhos, indiferente \u00e0s ru\u00ednas do sono.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-right\"><strong>L\u2019amour la po\u00e9sie (1929)<\/strong><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_4632_1('footnote_plugin_reference_4632_1_2');\" onkeypress=\"footnote_moveToReference_4632_1('footnote_plugin_reference_4632_1_2');\" ><sup id=\"footnote_plugin_tooltip_4632_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_4632_1_2\" class=\"footnote_tooltip\"> L\u2019amour la po\u00e9sie. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 154. <\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_4632_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_4632_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><br><em>Premi\u00e8rement<br><\/em><br><strong> VI <\/strong><br><br>Toi la seule et j\u2019entends les herbes de ton rire<br> Toi c\u2019est la t\u00eate qui t\u2019enl\u00e8ve<br> Et du haut des dangers de mort<br> Sur les globes brouill\u00e9s de pluie des vall\u00e9es<br> Sous la lumi\u00e8re lourde sous le ciel de terre <br>Tu enfantes la chute. <br><br>Les oiseaux ne sont plus un abri suffisant <br>Ni la paresse ni la fatigue Le souvenir des bois et des ruisseaux fragiles<br> Au matin des caprices <br>Au matin des caresses visibles<br> Au grand matin de l\u2019absence la chute. <br>Les barques de tes yeux s\u2019\u00e9garent <br>Dans la dentelle des disparitions<br> Le gouffre est d\u00e9voil\u00e9 aux autres de l\u2019\u00e9teindre <br>Les ombres que tu cr\u00e9es n\u2019ont pas droit \u00e0 la nuit. <\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>O amor a poesia (1929) <br><\/strong><em>Primeiramente<\/em><\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong> VI <\/strong><\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-left\">Tu, a \u00fanica, e escuto a relva do teu riso <br>Tu, \u00e9 a cabe\u00e7a que te suspende <br>E do alto dos perigos de morte <br>Sobre os globos turvos da chuva dos vales<br> Sob as luzes pesadas sob o c\u00e9u de terra<br> Tu concebes a queda. <br><br>Os p\u00e1ssaros n\u00e3o s\u00e3o mais abrigo suficiente <br>Nem a pregui\u00e7a, nem o cansa\u00e7o<br> Lembran\u00e7a das matas e dos c\u00f3rregos fr\u00e1geis<br> Na manh\u00e3 dos caprichos<br> Na manh\u00e3 dos carinhos vis\u00edveis<br> Na grande manh\u00e3 da aus\u00eancia a queda.<br> As canoas dos teus olhos se perdem <br>No rendado das desapari\u00e7\u00f5es<br> Abismo desvelado aos outros, para apaga-lo <br>As sombras que crias n\u00e3o t\u00eam direito \u00e0 noite.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-theme-palette-2-color has-alpha-channel-opacity has-theme-palette-2-background-color has-background\"\/>\n\n\n<style>.wp-block-kadence-column.kb-section-dir-horizontal > .kt-inside-inner-col > .kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap{max-width:unset;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap{border-top:23px solid #d70141;border-right:23px solid #d70141;border-bottom:23px solid #d70141;border-left:23px solid #d70141;background:#d70141;padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);margin-top:50px;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap:hover{background:#d70141;}.kt-info-box4632_22e199-02.wp-block-kadence-infobox{max-width:100%;}.kt-info-box4632_22e199-02 .kadence-info-box-image-inner-intrisic-container{max-width:212px;}.kt-info-box4632_22e199-02 .kadence-info-box-image-inner-intrisic-container .kadence-info-box-image-intrisic{padding-bottom:100%;width:150px;height:0px;max-width:100%;}.kt-info-box4632_22e199-02 .kadence-info-box-icon-container .kt-info-svg-icon, .kt-info-box4632_22e199-02 .kt-info-svg-icon-flip, .kt-info-box4632_22e199-02 .kt-blocks-info-box-number{font-size:50px;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-media{color:#444444;background:#f7e6d4;border-color:#f7e6d4;border-top-width:5px;border-right-width:5px;border-bottom-width:5px;border-left-width:5px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-media-container{margin-top:-75px;margin-right:0px;margin-bottom:20px;margin-left:0px;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap:hover .kt-blocks-info-box-media{color:#444444;background:#f7e6d4;border-color:#f7e6d4;}.kt-info-box4632_22e199-02 .kt-infobox-textcontent h2.kt-blocks-info-box-title{color:#f7e6d4;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top:5px;margin-right:0px;margin-bottom:10px;margin-left:0px;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap:hover h2.kt-blocks-info-box-title{color:#f7e6d4;}.kt-info-box4632_22e199-02 .kt-infobox-textcontent .kt-blocks-info-box-text{color:#f4dcc3;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap:hover .kt-blocks-info-box-text{color:#f4dcc3;}.kt-info-box4632_22e199-02 .kt-blocks-info-box-learnmore{background:transparent;border-width:0px 0px 0px 0px;padding-top:4px;padding-right:8px;padding-bottom:4px;padding-left:8px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;}@media all and (max-width: 1024px){.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap{border-top:23px solid #d70141;border-right:23px solid #d70141;border-bottom:23px solid #d70141;border-left:23px solid #d70141;}}@media all and (max-width: 767px){.kt-info-box4632_22e199-02 .kt-blocks-info-box-link-wrap{border-top:23px solid #d70141;border-right:23px solid #d70141;border-bottom:23px solid #d70141;border-left:23px solid #d70141;}}<\/style>\n<div class=\"wp-block-kadence-infobox kt-info-box4632_22e199-02\"><span class=\"kt-blocks-info-box-link-wrap info-box-link kt-blocks-info-box-media-align-top kt-info-halign-left\"><div class=\"kt-blocks-info-box-media-container\"><div class=\"kt-blocks-info-box-media kt-info-media-animate-none\"><div class=\"kadence-info-box-image-inner-intrisic-container\"><div class=\"kadence-info-box-image-intrisic kt-info-animate-none\"><div class=\"kadence-info-box-image-inner-intrisic\"><img data-dominant-color=\"a2a39d\" data-has-transparency=\"false\" style=\"--dominant-color: #a2a39d;\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/e5d5c0d00b619ebf8bc291f3d5c163ad064b9a51-150x150.avif\" alt=\"\" width=\"150\" height=\"150\" class=\"kt-info-box-image wp-image-4638 not-transparent\"\/><\/div><\/div><\/div><\/div><\/div><div class=\"kt-infobox-textcontent\"><h2 class=\"kt-blocks-info-box-title\">Paul \u00c9luard<\/h2><p class=\"kt-blocks-info-box-text\"><\/p><\/div><\/span><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><style>.kb-image4632_ef989b-e7.kb-image-is-ratio-size, .kb-image4632_ef989b-e7 .kb-image-is-ratio-size{max-width:182px;width:100%;}.wp-block-kadence-column > .kt-inside-inner-col > .kb-image4632_ef989b-e7.kb-image-is-ratio-size, .wp-block-kadence-column > .kt-inside-inner-col > .kb-image4632_ef989b-e7 .kb-image-is-ratio-size{align-self:unset;}.kb-image4632_ef989b-e7 figure{max-width:182px;}.kb-image4632_ef989b-e7 .image-is-svg, .kb-image4632_ef989b-e7 .image-is-svg img{width:100%;}.kb-image4632_ef989b-e7 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image4632_ef989b-e7\"><figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"843\" height=\"866\" src=\"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-05-01-at-02.14.39.jpeg\" alt=\"\" class=\"kb-img wp-image-3205\" srcset=\"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-05-01-at-02.14.39.jpeg 843w, https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-05-01-at-02.14.39-292x300.jpeg 292w, https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-05-01-at-02.14.39-768x789.jpeg 768w\" sizes=\"auto, (max-width: 843px) 100vw, 843px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Lucas Bertolo<\/h2>\n\n\n\n<p>\u00e9 formado em Filosofia pela UNIFESP, bacharelado em Direito pela FGV e p\u00f3s-graduando (2025) em Filosofia do Direito pela Universidade de S\u00e3o Paulo. Traduz literatura desde 2012.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">Tradutor<\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_4632_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_4632_1();\">[<a id=\"footnote_reference_container_collapse_button_4632_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_4632_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" id=\"footnote_plugin_reference_4632_1_1\" class=\"footnote_plugin_index pointer\" onclick=\"footnote_moveToAnchor_4632_1('footnote_plugin_tooltip_4632_1_1');\"><a role=\"button\" tabindex=\"0\" class=\"footnote_plugin_link\" ><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">La R\u00e9volution Surr\u00e9aliste. n.\u00ba 05. Paris : 1925, p. 4. Nouveaux Po\u00e8mes. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 122-123.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" id=\"footnote_plugin_reference_4632_1_2\" class=\"footnote_plugin_index pointer\" onclick=\"footnote_moveToAnchor_4632_1('footnote_plugin_tooltip_4632_1_2');\"><a role=\"button\" tabindex=\"0\" class=\"footnote_plugin_link\" ><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\"> L\u2019amour la po\u00e9sie. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 154. <\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_4632_1() { jQuery('#footnote_references_container_4632_1').show(); jQuery('#footnote_reference_container_collapse_button_4632_1').text('\u2212'); } function footnote_collapse_reference_container_4632_1() { jQuery('#footnote_references_container_4632_1').hide(); jQuery('#footnote_reference_container_collapse_button_4632_1').text('+'); } function footnote_expand_collapse_reference_container_4632_1() { if (jQuery('#footnote_references_container_4632_1').is(':hidden')) { footnote_expand_reference_container_4632_1(); } else { footnote_collapse_reference_container_4632_1(); } } function footnote_moveToReference_4632_1(p_str_TargetID) { footnote_expand_reference_container_4632_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_4632_1(p_str_TargetID) { footnote_expand_reference_container_4632_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>[1]La R\u00e9volution Surr\u00e9aliste. n.\u00ba 05. Paris : 1925, p. 4. Nouveaux Po\u00e8mes. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 122-123.A imagem do homem, fora do subterr\u00e2neo, resplandece. Plan\u00edcies de chumbo parecem oferecer a garantia de que ela n\u00e3o ser\u00e1 mais revirada, mas apenas para submergi-la nessa grande tristeza que a&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4641,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[672,346],"tags":[143,671,262,263,304],"class_list":["post-4632","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paul-eluard","category-traducoes","tag-franca","tag-paul-eluard","tag-poema","tag-poesia","tag-surrealismo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo] - Zero \u00e0 Esquerda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo] - Zero \u00e0 Esquerda\" \/>\n<meta property=\"og:description\" content=\"[1]La R\u00e9volution Surr\u00e9aliste. n.\u00ba 05. Paris : 1925, p. 4. Nouveaux Po\u00e8mes. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 122-123.A imagem do homem, fora do subterr\u00e2neo, resplandece. Plan\u00edcies de chumbo parecem oferecer a garantia de que ela n\u00e3o ser\u00e1 mais revirada, mas apenas para submergi-la nessa grande tristeza que a...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/\" \/>\n<meta property=\"og:site_name\" content=\"Zero \u00e0 Esquerda\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistazeroaesquerda\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-30T03:12:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-30T03:36:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/eluard2_blog1-1-1.avif\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Zero \u00e0 Esquerda\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@z3roaesquerda\" \/>\n<meta name=\"twitter:site\" content=\"@z3roaesquerda\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Zero \u00e0 Esquerda\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/\"},\"author\":{\"name\":\"Zero \u00e0 Esquerda\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#\\\/schema\\\/person\\\/04e72095a4fbe77f00c7b047955ed0b8\"},\"headline\":\"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo]\",\"datePublished\":\"2026-04-30T03:12:45+00:00\",\"dateModified\":\"2026-04-30T03:36:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/\"},\"wordCount\":974,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/eluard2_blog1-1-1.avif\",\"keywords\":[\"Fran\u00e7a\",\"Paul \u00c9luard\",\"Poema\",\"Poesia\",\"Surrealismo\"],\"articleSection\":[\"Paul \u00c9luard\",\"Tradu\u00e7\u00f5es\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/\",\"url\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/\",\"name\":\"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo] - Zero \u00e0 Esquerda\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/eluard2_blog1-1-1.avif\",\"datePublished\":\"2026-04-30T03:12:45+00:00\",\"dateModified\":\"2026-04-30T03:36:09+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#primaryimage\",\"url\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/eluard2_blog1-1-1.avif\",\"contentUrl\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/eluard2_blog1-1-1.avif\",\"width\":1500,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/2026\\\/04\\\/30\\\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo]\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#website\",\"url\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/\",\"name\":\"Zero \u00e0 Esquerda\",\"description\":\"Tra\u00e7ando tend\u00eancias para al\u00e9m do capitalismo.\",\"publisher\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#organization\",\"name\":\"Zero \u00e0 Esquerda\",\"url\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/4-simbolo-zero-a-esquerda-favicon-alt.png\",\"contentUrl\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/4-simbolo-zero-a-esquerda-favicon-alt.png\",\"width\":1271,\"height\":1069,\"caption\":\"Zero \u00e0 Esquerda\"},\"image\":{\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/revistazeroaesquerda\",\"https:\\\/\\\/x.com\\\/z3roaesquerda\",\"https:\\\/\\\/www.instagram.com\\\/revistazeroaesquerda\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCIaGx271Qw6D1QwqYBojrLw\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/#\\\/schema\\\/person\\\/04e72095a4fbe77f00c7b047955ed0b8\",\"name\":\"Zero \u00e0 Esquerda\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a417d8eccb1cec435aa9a93213f41ee528a636232351421dedc4ada2160b3f1b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a417d8eccb1cec435aa9a93213f41ee528a636232351421dedc4ada2160b3f1b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a417d8eccb1cec435aa9a93213f41ee528a636232351421dedc4ada2160b3f1b?s=96&d=mm&r=g\",\"caption\":\"Zero \u00e0 Esquerda\"},\"description\":\"Tra\u00e7ando tend\u00eancias para al\u00e9m do capitalismo.\",\"sameAs\":[\"http:\\\/\\\/zeroaesquerda.com.br\"],\"url\":\"https:\\\/\\\/zeroaesquerda.com.br\\\/index.php\\\/author\\\/revistazeroaesquerdagmail-com\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo] - Zero \u00e0 Esquerda","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/","og_locale":"pt_BR","og_type":"article","og_title":"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo] - Zero \u00e0 Esquerda","og_description":"[1]La R\u00e9volution Surr\u00e9aliste. n.\u00ba 05. Paris : 1925, p. 4. Nouveaux Po\u00e8mes. In: \u00c9LUARD, Paul. Capitale de la douleur. Paris : Gallimard, 2024, p. 122-123.A imagem do homem, fora do subterr\u00e2neo, resplandece. Plan\u00edcies de chumbo parecem oferecer a garantia de que ela n\u00e3o ser\u00e1 mais revirada, mas apenas para submergi-la nessa grande tristeza que a...","og_url":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/","og_site_name":"Zero \u00e0 Esquerda","article_publisher":"https:\/\/www.facebook.com\/revistazeroaesquerda","article_published_time":"2026-04-30T03:12:45+00:00","article_modified_time":"2026-04-30T03:36:09+00:00","og_image":[{"width":1500,"height":800,"url":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/eluard2_blog1-1-1.avif","type":"image\/jpeg"}],"author":"Zero \u00e0 Esquerda","twitter_card":"summary_large_image","twitter_creator":"@z3roaesquerda","twitter_site":"@z3roaesquerda","twitter_misc":{"Escrito por":"Zero \u00e0 Esquerda","Est. tempo de leitura":"6 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#article","isPartOf":{"@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/"},"author":{"name":"Zero \u00e0 Esquerda","@id":"https:\/\/zeroaesquerda.com.br\/#\/schema\/person\/04e72095a4fbe77f00c7b047955ed0b8"},"headline":"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo]","datePublished":"2026-04-30T03:12:45+00:00","dateModified":"2026-04-30T03:36:09+00:00","mainEntityOfPage":{"@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/"},"wordCount":974,"commentCount":0,"publisher":{"@id":"https:\/\/zeroaesquerda.com.br\/#organization"},"image":{"@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#primaryimage"},"thumbnailUrl":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/eluard2_blog1-1-1.avif","keywords":["Fran\u00e7a","Paul \u00c9luard","Poema","Poesia","Surrealismo"],"articleSection":["Paul \u00c9luard","Tradu\u00e7\u00f5es"],"inLanguage":"pt-BR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/","url":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/","name":"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo] - Zero \u00e0 Esquerda","isPartOf":{"@id":"https:\/\/zeroaesquerda.com.br\/#website"},"primaryImageOfPage":{"@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#primaryimage"},"image":{"@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#primaryimage"},"thumbnailUrl":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/eluard2_blog1-1-1.avif","datePublished":"2026-04-30T03:12:45+00:00","dateModified":"2026-04-30T03:36:09+00:00","breadcrumb":{"@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/"]}]},{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#primaryimage","url":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/eluard2_blog1-1-1.avif","contentUrl":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2026\/04\/eluard2_blog1-1-1.avif","width":1500,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/zeroaesquerda.com.br\/index.php\/2026\/04\/30\/dois-poemas-de-paul-eluard-1895-1952-trad-lucas-bertolo\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/zeroaesquerda.com.br\/"},{"@type":"ListItem","position":2,"name":"Dois poemas de Paul \u00c9luard (1895-1952) \u2014 [Trad. Lucas Bertolo]"}]},{"@type":"WebSite","@id":"https:\/\/zeroaesquerda.com.br\/#website","url":"https:\/\/zeroaesquerda.com.br\/","name":"Zero \u00e0 Esquerda","description":"Tra\u00e7ando tend\u00eancias para al\u00e9m do capitalismo.","publisher":{"@id":"https:\/\/zeroaesquerda.com.br\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/zeroaesquerda.com.br\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pt-BR"},{"@type":"Organization","@id":"https:\/\/zeroaesquerda.com.br\/#organization","name":"Zero \u00e0 Esquerda","url":"https:\/\/zeroaesquerda.com.br\/","logo":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/zeroaesquerda.com.br\/#\/schema\/logo\/image\/","url":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2021\/01\/4-simbolo-zero-a-esquerda-favicon-alt.png","contentUrl":"https:\/\/zeroaesquerda.com.br\/wp-content\/uploads\/2021\/01\/4-simbolo-zero-a-esquerda-favicon-alt.png","width":1271,"height":1069,"caption":"Zero \u00e0 Esquerda"},"image":{"@id":"https:\/\/zeroaesquerda.com.br\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/revistazeroaesquerda","https:\/\/x.com\/z3roaesquerda","https:\/\/www.instagram.com\/revistazeroaesquerda\/","https:\/\/www.youtube.com\/channel\/UCIaGx271Qw6D1QwqYBojrLw"]},{"@type":"Person","@id":"https:\/\/zeroaesquerda.com.br\/#\/schema\/person\/04e72095a4fbe77f00c7b047955ed0b8","name":"Zero \u00e0 Esquerda","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/secure.gravatar.com\/avatar\/a417d8eccb1cec435aa9a93213f41ee528a636232351421dedc4ada2160b3f1b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/a417d8eccb1cec435aa9a93213f41ee528a636232351421dedc4ada2160b3f1b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a417d8eccb1cec435aa9a93213f41ee528a636232351421dedc4ada2160b3f1b?s=96&d=mm&r=g","caption":"Zero \u00e0 Esquerda"},"description":"Tra\u00e7ando tend\u00eancias para al\u00e9m do capitalismo.","sameAs":["http:\/\/zeroaesquerda.com.br"],"url":"https:\/\/zeroaesquerda.com.br\/index.php\/author\/revistazeroaesquerdagmail-com\/"}]}},"_links":{"self":[{"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/posts\/4632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=4632"}],"version-history":[{"count":5,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/posts\/4632\/revisions"}],"predecessor-version":[{"id":4643,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/posts\/4632\/revisions\/4643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/media\/4641"}],"wp:attachment":[{"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=4632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/categories?post=4632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zeroaesquerda.com.br\/index.php\/wp-json\/wp\/v2\/tags?post=4632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}